<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="http://fine-art.wetpaint.com/xsl/rss2html.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://fine-art.wetpaint.com/scripts/wpcss/wiki/fine-art/skin/midnightblue/rss" type="text/css" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Original Fine Art - Recently Updated Pages</title><link>http://fine-art.wetpaint.com/pageSearch/updated</link><description>Recently Updated Pages on http://fine-art.wetpaint.com</description><language>en-us</language><webMaster>info@wetpaint.com</webMaster><pubDate>Sat, 20 Jan 2007 16:24:06 CST</pubDate><lastBuildDate>Sat, 20 Jan 2007 16:24:06 CST</lastBuildDate><generator>wetpaint.com</generator><ttl>60</ttl><image><title>Original Fine Art</title><url>http://image.wetpaint.com/wiki/logo/image/1Vrm6HH7Mh0IaXFd57xakxA==243650/GW1200H300</url><link>http://fine-art.wetpaint.com</link></image><item><title>Links to other Loren D. Adams, Jr. Web-sites...</title><link>http://fine-art.wetpaint.com/page/Links+to+other+Loren+D.+Adams%2C+Jr.+Web-sites...</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/Links+to+other+Loren+D.+Adams%2C+Jr.+Web-sites...</guid><pubDate>Sat, 20 Jan 2007 16:24:06 CST</pubDate><description> 				&lt;h2&gt;&lt;font size=&quot;5&quot;&gt;Visit these sites to see many other exciting Artworks by Loren D. Adams&lt;br&gt; &lt;/font&gt; &lt;/h2&gt; &lt;font face=&quot;Garamond&quot; size=&quot;5&quot;&gt;&lt;br&gt;  &lt;/font&gt;&lt;font size=&quot;5&quot;&gt;&lt;font face=&quot;Garamond&quot; size=&quot;5&quot;&gt;There are actually hundreds of web-sites from several countries world-wide that have many reproductions of Loren Adams&amp;#39; beautiful images available for sale. His&lt;br&gt; Art is both very popular &amp;amp; highly collectable.&lt;br&gt; &lt;br&gt;  Actually there are countless places where anyone can &lt;br&gt; acquire some of his earlier open editions of high quality photo-mechanical prints and posters produced in mass &lt;br&gt; by some of the best lithographers in the U.S.; Triumph &lt;br&gt; of Minnesota, Bernards of New York &amp;amp; Haddad&amp;#39;s of Anehiem, California, have produced many thousands &lt;br&gt; of copies of the very best of Adams&amp;#39; earlier seascapes &lt;br&gt; and some of his maritime masterpieces. These are now &lt;br&gt; a global business for countless vendors and high end poster shops who primarily sell on the world wide web. The Artist of course, receives royalties from these published works. The Limited Edition Artworks are available directly from the Artist&amp;#39;s Studio&lt;br&gt; and his Authorized Dealers &amp;amp; Agents&lt;br&gt; &lt;br&gt; &lt;font size=&quot;6&quot;&gt; The Following are links to Authorized Web-sites:&lt;/font&gt;&lt;br&gt; &lt;br&gt;  Loren Adams Originals, Miniatures &amp;amp; Limited Editions are available from&lt;br&gt;  BremondHouse Publishing at: &amp;lt;http://www.bremondhouse.com&amp;gt;&lt;br&gt; &lt;br&gt;  &lt;/font&gt;&lt;font face=&quot;Garamond&quot;&gt; &lt;/font&gt; &lt;br&gt; &lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Home</title><link>http://fine-art.wetpaint.com/page/Home</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/Home</guid><pubDate>Sat, 06 Jan 2007 07:07:20 CST</pubDate><description> 				&lt;font size=&quot;6&quot;&gt;    &lt;u&gt;&lt;font size=&quot;5&quot;&gt;&amp;quot;Celebrating 40 Years!&amp;quot;&lt;/font&gt;&lt;/u&gt;&lt;br&gt; &lt;/font&gt;  &lt;font size=&quot;6&quot;&gt;&lt;object align=&quot;bottom&quot; height=&quot;396&quot; width=&quot;528&quot;&gt; &lt;/object&gt;&lt;br&gt;&lt;/font&gt; &lt;font size=&quot;6&quot;&gt;  &lt;font face=&quot;Garamond&quot;&gt;Dreams &amp;amp; Visions of the Master&lt;/font&gt;&lt;br&gt;  &lt;/font&gt;  &lt;b&gt;&lt;font face=&quot;Garamond&quot; size=&quot;6&quot;&gt;&lt;font size=&quot;4&quot;&gt;Since 1967 Loren D. Adams, Jr. has enjoyed being a professional Fine Arts Artist... His beautiful original &lt;br&gt; oil paintings &amp;amp; limited editions are now in Museums and prestigious collections worldwide. He prefers &lt;br&gt; to remain loyal to his experience and the traditional approach to classical painting in that he paints his &lt;br&gt; dreams &amp;amp; visions. Inspired by scripture and inspirational esoteric writing which he believes cause these&lt;br&gt; images to come into his mind, he thinks of himself as a devinely guided seer rather than just a visionary&lt;br&gt; whom is supposed to reveal the symbolical messages in his Artworks to all of humanity as his mission...&lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;font face=&quot;Garamond&quot; size=&quot;6&quot;&gt;&lt;font size=&quot;4&quot;&gt;The first thing that the viewer will notice in any of his Artwork is the &amp;quot;quality of lighting&amp;quot; seems to be&lt;br&gt; coming out of the painting itself. This is because he thinks of each one of them as &amp;quot;light windows&amp;quot; so&lt;br&gt; it&amp;#39;s a deliberate effect caused by the time consuming technique of changing chroma, value and hue in a&lt;br&gt; a gradual manner so the light comes to life. Local color reflects off of all objects and tints everything in&lt;br&gt; close proximity... so making sure that tending to these kinds of subtile details while mixing the paint is&lt;br&gt; very important.&lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;/b&gt;  &lt;font size=&quot;6&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;b&gt;&lt;font face=&quot;Garamond&quot;&gt;&lt;br&gt;  Starting a painting with the idea of making a masterpiece in the first place is of course the primary idea.&lt;br&gt;  Beginning with the composition &amp;amp; knowing what is a good one must have already been decided as well&lt;br&gt;  as the pallette. Before the first brush stroke touches the oil primed portrait linen... all of these decisions&lt;br&gt;  are made far in advance so that the execution is spontaneous without hesitation. For this reason he will&lt;br&gt;  do any needed practice for &amp;quot;anything&amp;quot; on a different study canvas or even the pallette itself rather than&lt;br&gt;  risk spoiling even one single brush stroke on the painting. With this kind of discipline in mind for every&lt;br&gt;  bit of the intense work that it takes to completely finish a flawless masterpiece... how could it turn out &lt;br&gt;  otherwise?&lt;/font&gt;&lt;/b&gt;&lt;br&gt; &lt;/font&gt;&lt;/font&gt; &lt;font size=&quot;6&quot;&gt;&lt;font size=&quot;4&quot;&gt;&lt;br&gt; Pua Harmony Assistant Curator / Director&lt;br&gt; &lt;font size=&quot;5&quot;&gt;Loren Adams Museum of Fine Art&lt;br&gt; &lt;font face=&quot;Garamond&quot;&gt;&lt;br&gt;  This is one of Loren Adams&amp;#39; most famous Masterpieces depicting the four seasons and the four&lt;br&gt;  times of day... as well as other elements that make it a multi dimentional work of splendor beyond&lt;br&gt;  compare. Completed in 1976 it is only 12&amp;quot;x 48&amp;quot; oil on linen canvas:&lt;/font&gt;&lt;br&gt; &lt;br&gt;  &lt;font size=&quot;6&quot;&gt;&amp;quot;Of Rhyme and Reason, Time &amp;amp; Season...&amp;quot;&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;/font&gt; &lt;/font&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>&quot;Citadel Divina&quot;   ~ Accelerated Evolution ll Series</title><link>http://fine-art.wetpaint.com/page/%22Citadel+Divina%22+++%7E+Accelerated+Evolution+ll+Series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/%22Citadel+Divina%22+++%7E+Accelerated+Evolution+ll+Series</guid><pubDate>Sat, 06 Jan 2007 06:44:28 CST</pubDate><description> 				&lt;object height=&quot;479&quot; width=&quot;639&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;font size=&quot;5&quot;&gt;&lt;b&gt;&lt;font face=&quot;Garamond&quot;&gt;The Journey to the City of God... &amp;quot;Beyond Here &amp;amp; Now!&amp;quot;&lt;br&gt; &lt;br&gt; The Holy City&lt;/font&gt;&lt;/b&gt;&lt;font face=&quot;Garamond&quot;&gt; ~ The glorious place of the after life... in that place of eternal peace&lt;br&gt; known as Heaven. Not of this world terrestrial where there is a continuous contrast &lt;br&gt; of opposites which to the young soul seem to be always at odds with each other. We&lt;br&gt; can however by the process of positive mature thinking, rise above the things of this&lt;br&gt; world that so often irratate us and recognise Heaven as here &amp;amp; Now but that is still a&lt;br&gt; terrestrial experience. Even the Sages and Masters from our history as well as many&lt;br&gt; other enlightened beings who are able to transcend above it all and live in the state of&lt;br&gt; the full recognition of the oneness are still fully experiencing the terrestrial. Buddism&lt;br&gt; teaches that this is all that there is...&amp;quot;this is it&amp;quot; Nirvana and that those who are able to&lt;br&gt; recognise this oneness of all life are the only ones who find real peace and happiness.&lt;br&gt; &lt;br&gt; Jesus spoke of Heaven as the place of Celestial Glory where our fully conscious souls&lt;br&gt; or spiritual self will be with our Heavenly Father God forever in a blissful state of joy&lt;br&gt; wonderful peace... in the future, after the rapture, the great white throne of judgement&lt;br&gt; the millinium rein of one thousand years of perfect harmony without the evil thoughts&lt;br&gt; that come into our thinking because of the influence of Lucifer, whom will be bound&lt;br&gt; during this time.&lt;br&gt; &lt;br&gt; Developing our faith through the virtues of patience and trusting the fact that Creation&lt;br&gt; in all of it&amp;#39;s glory is so obvious that those of us who have faith believe that the hereafter&lt;br&gt; is trully going to be a great surprise. The very fact of our existance was a surprise also&lt;br&gt; so there is no need to worry about how one fits into the grand scheme of Heaven unless&lt;br&gt; one is not being totally honest with themselves. Yet as we know history is full of serious&lt;br&gt; events relative to what one believes concerning this future event, so much so that most&lt;br&gt; of humanity has forgot to &amp;quot;be here now&amp;quot; while worrying about some event in the future&lt;br&gt; that is going to be a free gift from the Creator of the universe &amp;amp; as such should perhaps&lt;br&gt; remain a surprise rather than something to argue about or slaughter his fellow man over.&lt;br&gt; &lt;br&gt; From the cradle to the grave the majority of mankind has struggled with trying to get to&lt;br&gt; some other time and place in the future... infact many have wasted their entire lives in an&lt;br&gt; attempt to deny what was happening here &amp;amp; now. Surely our history gives evidence that&lt;br&gt; even entire cultures &amp;amp; civilizations have been willing to sacrifice anything and everything&lt;br&gt; including lots of other people to protect their insane ideas of putting off today for a time&lt;br&gt; in the future that will be better than here and now. It&amp;#39;s sad to know that so many people&lt;br&gt; do not recognise that even the future depends on the quality of recognising the presence&lt;br&gt; of God here and now and that to the extent that it matters saying thank you father is the&lt;br&gt; only thing they can do about it!&lt;br&gt; &lt;br&gt; Loren D. Adams, Jr. Sir&lt;br&gt; &lt;br&gt; The concept of Forever was depicted by the ancients as endless black &amp;amp; white tiles symbolising&lt;br&gt; Endless days and nights. This Masterwork completed in 1992 illustrates this concept ideally.&lt;br&gt; &lt;br&gt;      &lt;font size=&quot;6&quot;&gt;&amp;quot;Beside the still Waters&amp;quot;&lt;/font&gt;&lt;br&gt; Full Title: &amp;quot;Early morning, Beside the still Waters, at the sunken gardens of the Temple of &lt;br&gt; Ardahl, Lord of theVastness, in the great city of Keor on the island of Undal in a time far past...&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Cultural World... &quot;Accelerated Evolution l&quot; Series</title><link>http://fine-art.wetpaint.com/page/The+Cultural+World...+%22Accelerated+Evolution+l%22+Series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/The+Cultural+World...+%22Accelerated+Evolution+l%22+Series</guid><pubDate>Sat, 06 Jan 2007 06:07:27 CST</pubDate><description> 				&lt;object height=&quot;475&quot; width=&quot;631&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;font face=&quot;Garamond&quot; size=&quot;6&quot;&gt;Legends and Discovery of Ancient Cities &amp;amp; Cultures&lt;br&gt; &lt;br&gt; &lt;font size=&quot;4&quot;&gt;&lt;b&gt;After reading books about past civilizations and realising that man has been on this planet for&lt;br&gt; a lot longer than he dare imagine... Loren Adams started dreaming about what it would be like&lt;br&gt; to find such places. This first group of paintings depicts the aspects of discovery &amp;amp; dwellings&lt;br&gt; of earlier peoples and what it would have been like. Some peoples would have had primative&lt;br&gt; simple shelters that could be built in a short amout of time and others would have gone to a&lt;br&gt; great deal of effort to construct more permanent structures. According to legend there lots of&lt;br&gt; entire cities carved right into the mountains with elaborate tunnel systems leading to many cities&lt;br&gt; hundreds of miles under these mountains. The entire pacific ocean perimeter is outlined with &lt;br&gt; monumental structures facing the ocean with early pre-historic pictographs which when studied&lt;br&gt; tell the story of a lost continent called Mu which sank in a firey vortex at a remote time during&lt;br&gt; a cataclismic episode in our not so distant past. The more books the artist read &amp;amp; studied on&lt;br&gt; these issues, the more convinced he became that the legends were true. &amp;quot;The Garden of Eden&lt;br&gt; was not in Asia or in the valley of the Euphrates... but here in the middle of the pacific ocean&amp;quot;&lt;br&gt; to quote Col. James Churchward. This was the beginning of the Accelerated Evolution series&lt;br&gt; and the most exciting body of Artwork of Loren Adams&amp;#39; most important contribution to all of&lt;br&gt; humanity. To assist the intellectual community in &amp;quot;widening the planetary cultural base.&amp;quot; With&lt;br&gt; the idea of including a 50,000 year history as the basis of our studies of humanity as we know it&lt;br&gt; instead of blindly accepting the notion that history begain 4,200 B.C. because recorded history&lt;br&gt; started around that time. It is honestly possible that the human race and the story of creation&lt;br&gt; with Adam and Eve in the garden begain much earlier than we have thought to imagine. This&lt;br&gt; slide show above is only a few of the numerous paintings that were painted by Mr. Adams to&lt;br&gt; illustrate &amp;amp; document this point. Looking through this group of developmental works will be&lt;br&gt; very helpful to the viewer when moving on to the Accelerated Evolution Series to follow.&lt;/b&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;b&gt;Pua Harmony&lt;/b&gt; &lt;font face=&quot;Helvetica&quot; size=&quot;3&quot;&gt;&lt;i&gt;Assistant Director / Curator&lt;/i&gt;&lt;/font&gt;&lt;br&gt; &lt;b&gt;&lt;font size=&quot;5&quot;&gt;Loren Adams Museum of Fine Art&lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;5&quot;&gt;The Masterwork for this genre and theme in the Accelerated Evolution l series is a fairly recent&lt;br&gt; work completed in 1996 it features a tropical primative village by the sea with lots of flowering&lt;br&gt; plants and fruit trees in a moonlight setting. 48&amp;quot;x 60&amp;quot; on fine linen canvas... titled: &lt;font size=&quot;5&quot;&gt;Paradise&lt;br&gt; &lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/font&gt; &lt;/font&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Natural World... &quot;Early Masterworks&quot; series</title><link>http://fine-art.wetpaint.com/page/The+Natural+World...+%22Early+Masterworks%22+series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/The+Natural+World...+%22Early+Masterworks%22+series</guid><pubDate>Sat, 06 Jan 2007 05:32:23 CST</pubDate><description> 				&lt;object height=&quot;479&quot; width=&quot;639&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; Loren Adams paints almost every subject well and excels in several genre including rain forests and mountain landscapes. One of his&lt;br&gt; all time favourites is the very large 40&amp;quot;x 60&amp;quot; Masterwork featuring rhododendrons, wild roses and cedar trees. The mist in the morning&lt;br&gt; air is very mysterious and adds a nostalgic feeling that reminds us of what it&amp;#39;s like to be there. This painting was inspired by Psalms 84&lt;br&gt; and visually expresses his love for the scripture as well. Title: &lt;font size=&quot;4&quot;&gt;How Lovely is&lt;/font&gt; &lt;font size=&quot;5&quot;&gt;&amp;quot;Thy dwelling Place&amp;quot; Psalms 84:&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Natural World... &quot;The Journey to Belonging&quot; Series</title><link>http://fine-art.wetpaint.com/page/The+Natural+World...+%22The+Journey+to+Belonging%22+Series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/The+Natural+World...+%22The+Journey+to+Belonging%22+Series</guid><pubDate>Fri, 05 Jan 2007 22:07:29 CST</pubDate><description> 				&lt;object height=&quot;479&quot; width=&quot;639&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; Many of Loren Adams&amp;#39; paintings from the Journey to belonging Series are very large and dramatic. They were also very&lt;br&gt; much exciting &amp;amp; fun to work on. The following three images are examples of large format, time consuming masterpieces&lt;br&gt; that he really enjoyed making. Somehow when the Artist enjoys the process it is obvious to the viewer to.&lt;br&gt; &lt;br&gt; &lt;font size=&quot;5&quot;&gt; This is a 48&amp;quot;x 72&amp;quot; linen canvas painted in 1980 titled: &amp;quot;It&amp;#39;s About Time&amp;quot; &lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;br&gt; This is one of Loren Adams&amp;#39; Largest Early Masterpieces Titled: &amp;quot;Valour&amp;quot;&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;br&gt; This is a Masterpiece from 1981 titled: &amp;quot;The Chromatic Echo&amp;quot;&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>THREE ASPECTS... OF THREE MAIN THEMES &amp; THREE GENRE</title><link>http://fine-art.wetpaint.com/page/THREE+ASPECTS...+OF+THREE+MAIN+THEMES+%26+THREE+GENRE</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/THREE+ASPECTS...+OF+THREE+MAIN+THEMES+%26+THREE+GENRE</guid><pubDate>Thu, 04 Jan 2007 06:15:43 CST</pubDate><description> 				&lt;font size=&quot;4&quot;&gt;&lt;i&gt;&lt;font size=&quot;5&quot;&gt;There are three aspects to the three central themes that are apparent in all of &lt;br&gt;  Loren Adams&amp;#39; Artwork. He clearly paints in three different genre, all of which &lt;br&gt;  are his own style &amp;amp; consistantly returns to these aspects in all of his paintings.&lt;/font&gt;&lt;/i&gt;&lt;br&gt; &lt;br&gt; These are: &lt;font size=&quot;4&quot;&gt;&amp;quot;&lt;b&gt;&lt;font face=&quot;Helvetica&quot;&gt;T&lt;/font&gt;&lt;font face=&quot;Helvetica&quot;&gt;he Natural World&lt;/font&gt;&lt;/b&gt;, &lt;b&gt;&lt;font face=&quot;Helvetica&quot;&gt;The Cultural World&lt;/font&gt;&lt;/b&gt; &amp;amp; &lt;b&gt;&lt;font face=&quot;Helvetica&quot;&gt;The Spiritual World&lt;/font&gt;&lt;/b&gt;&amp;quot;&lt;/font&gt; &lt;br&gt; The Natural World is depicted in three central themes &amp;amp; genre each theme is&lt;br&gt; in series: &amp;quot;&lt;u&gt;&lt;i&gt;The Worlds of Nature &amp;amp; Conservation&lt;/i&gt;&lt;/u&gt; &amp;amp; Series, &lt;i&gt;&lt;u&gt;Journey to Belonging&lt;/u&gt;&lt;/i&gt;&lt;br&gt; Series &amp;amp; &lt;u&gt;&lt;i&gt;The Early Masterworks&lt;/i&gt;&lt;/u&gt; Series.&amp;quot; All of these works are depictions of&lt;br&gt; mans involvement with nature and many of them have the open ocean or the&lt;br&gt; coastal seascape as a featured subject. Many are coastal landscapes with rock&lt;br&gt; formations, cliffs, mountains &amp;amp; dramatic skys. Some are very detailed with an&lt;br&gt; added sailboat or several. Many of these boats or in some cases ships are very&lt;br&gt; exacting in historical significance. The Journey to Belonging Series features a&lt;br&gt; vessel in some aspect to the sea. The Early Masterworks Series  is a body of his&lt;br&gt; Masterpieces that seem to be in a league all by themselves... in that they trully&lt;br&gt; are magnificant in every way. Most of them are larger works that took lots of&lt;br&gt; time to create. Many of them are in Museums and important collections.&lt;br&gt; &lt;br&gt;&lt;b&gt;&lt;font face=&quot;Helvetica&quot;&gt; The Cultural World&lt;/font&gt;&lt;/b&gt; contains many more complicated aspects like architecture&lt;br&gt; and more historical significance. Many are based on the Artist&amp;#39;s conceptual&lt;br&gt; depictions of the fragments of &amp;quot;pre-historical&amp;quot; facts found in the pages of many&lt;br&gt; books on the Lost Continent of Mu, Atlantis &amp;amp; the Lost Cities of South America&lt;br&gt; as well as the othe Lost Cities that Mr. Adams likes to read about. Loren Adams&lt;br&gt; has written permission to quote freely and to illustrate the 5 books by Col. James&lt;br&gt; Churchward: The Lost Continent of Mu, The Children of Mu, The Sacred Symbols&lt;br&gt; of Mu &amp;amp; the two volumes on the Cosmic Forces of Mu that were published in the&lt;br&gt; 1930&amp;#39;s. Over fifty of Loren Adams&amp;#39; originals were inspired by reading these books.&lt;br&gt; &lt;br&gt; The Spiritual World has three aspects also with three different styles &amp;amp; genre to&lt;br&gt; fully portray the Artist&amp;#39;s serious nature as well as his own spiritual developement.&lt;br&gt; The main theme in the large body of work is: &amp;quot;The Journey to the City of God&amp;quot;&lt;br&gt; He refers to this as &amp;quot;Citadel Divina&amp;quot; which portays all 12 tribes in their search&lt;br&gt; for the truth through their own Sacred writtings. The Spirit World is also in 3&lt;br&gt; aspects &amp;amp; genres: &amp;quot;Visionary, Classic Surrealism &amp;amp; Nuclear Mysticsism&amp;quot; In the&lt;br&gt; Visionary works the natural world is the setting for the Spiritual images. In the&lt;br&gt; Classic surrealism the juxtaposition of many of the natural elements with visions&lt;br&gt; are painstakingly brought to life by the touch of this masters hand. They all tell&lt;br&gt; stories which lead to Spiritual enlightenment. The Nuclear Mysticsism Series is&lt;br&gt; another large series that reveals the many aspects of the Nine Time Cells which&lt;br&gt; have been beautifully depicted as brilliant briolets known / refered to as Merkabah&lt;br&gt; AKA &lt;/font&gt;&lt;font size=&quot;4&quot;&gt;The Merkabah Vehicle Tetragramatron&lt;/font&gt;&lt;font size=&quot;4&quot;&gt;. In all of his Artwork Loren Adams&lt;br&gt; has maintained a level of mastery that is beyond words or &amp;quot;&lt;/font&gt;&lt;font size=&quot;4&quot;&gt;&lt;font size=&quot;4&quot;&gt;xenoglossic&lt;/font&gt;&lt;/font&gt;&lt;font size=&quot;4&quot;&gt;&amp;quot; beyond&lt;br&gt; what any tongue can tell. If you have ever heard the saying: &amp;quot;a picture is worth&lt;br&gt; a thousand words&amp;quot; perhaps you are starting to get the idea of what has been said!&lt;br&gt; &lt;br&gt; Pua Harmony &lt;/font&gt;&lt;font size=&quot;2&quot;&gt;Assistant Director / Curator  &lt;/font&gt;&lt;font size=&quot;4&quot;&gt;&lt;br&gt; &lt;font size=&quot;5&quot;&gt;Loren Adams Museum of Fine Art&lt;/font&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Lost Continent of Mu... &quot;Accelerated Evolution l&quot; Series</title><link>http://fine-art.wetpaint.com/page/The+Lost+Continent+of+Mu...+%22Accelerated+Evolution+l%22+Series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/The+Lost+Continent+of+Mu...+%22Accelerated+Evolution+l%22+Series</guid><pubDate>Tue, 02 Jan 2007 16:52:35 CST</pubDate><description> 				&lt;object height=&quot;474&quot; width=&quot;632&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;font size=&quot;6&quot;&gt;&lt;b&gt;&lt;font face=&quot;Garamond&quot;&gt;&amp;quot;Many thousand of years ago... in the eastern section&lt;br&gt; of the Motherland Lemuria, in a land known as Telos&lt;br&gt; the first trade ships arrived from the planet Hesperus&amp;quot;&lt;/font&gt;&lt;/b&gt;&lt;font face=&quot;Garamond&quot;&gt;&lt;b&gt;&lt;font size=&quot;4&quot;&gt;&lt;i&gt;&lt;br&gt; &amp;bull;&lt;br&gt; &lt;/i&gt;&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;4&quot;&gt;&lt;i&gt;&lt;font face=&quot;Helvetica&quot; size=&quot;3&quot;&gt;Homage to George Hunt Williamson ~ from his book &amp;quot;The Secret places of the lion&amp;quot;&lt;br&gt; Homage to Col. James Churchward ~ from his five books &amp;quot;The Lost Continent of Mu&amp;quot;&lt;br&gt; &amp;quot;The Children of Mu&amp;quot; &amp;quot;The Sacred Inspired Writings of Mu&amp;quot; &amp;quot;The Cosmic Forces of Mu&amp;quot;&lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/i&gt;&lt;font face=&quot;Helvetica&quot; size=&quot;3&quot;&gt;Loren Adams has written permission to quote freely from all of the James Churchward works&lt;/font&gt;&lt;i&gt;&lt;font face=&quot;Helvetica&quot; size=&quot;3&quot;&gt;&lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/i&gt;&lt;font face=&quot;Helvetica&quot; size=&quot;3&quot;&gt;&lt;b&gt;&lt;font size=&quot;4&quot;&gt;&lt;font face=&quot;Garamond&quot;&gt;The Trade &amp;amp; Cultural Center in Telos Mu was the location of the Festival of Mid-Summers Eve&lt;br&gt; held annually at the autumnal equinox to celebrate the harvest with all the arts for the original&lt;br&gt; twelve tribes who inhabited the three main islands that made up the whole continent of Lemuria.&lt;br&gt; Telos was not only the center of culture but also the center of commerce for all of the people of&lt;br&gt; the worlds first great population of over 67 million of our ancestors. Many wondrous things can&lt;br&gt; learned about this culture from that which remains in the form of monolithic structures all around&lt;br&gt; the entire pacific ocean which are all facing the sea... and engraved with pictographic vocables&lt;br&gt; from the original hiaretical symbol language of the children of Mu. These people were in many&lt;br&gt; ways superior to our so called modern culture. They were not divided against each other nor did&lt;br&gt; they have a &amp;quot;blade &amp;amp; dominator&amp;quot; society but rather a chalice based society that enjoyed over 50&lt;br&gt; thousand years of un interrupted peace &amp;amp; harmony. Their wealth was beyond our wildest dreams.&lt;br&gt;They shared scientific knowledge that we&amp;#39;re just learning about among themselves and people&lt;br&gt; from other worlds. They had the ability to use some form of music &amp;amp; sounds to manipulate the&lt;br&gt; electromagnetic spectrum and also the effect of gravity. &lt;br&gt; &lt;br&gt; In Nan Madol on the Micronesian island of Ponpe in the South Pacific... there remains what is&lt;br&gt; left of an entire city of 11 square miles of basalt crystal stones, each weighing between 20 &amp;amp; 50&lt;br&gt; tons each. There are several million of these giant stones stacked 40 feet and higher which make &lt;br&gt; up hundreds of large structures complete with many streets &amp;amp; roadways that just lead out into&lt;br&gt; the ocean &amp;amp; disappear! The nearest quarry is 80 miles away on the other side of the island! The&lt;br&gt; oral tridition of the indigenous people say that their ancestors told them that the stones flew in&lt;br&gt; the air and were gently floated into position... When anyone holds a compas near these stones&lt;br&gt; they are strangely magnetised having a negative end and a positive end! This is one example of&lt;br&gt; empirical &amp;quot;validate-able facts&amp;quot; that exist throughout the pacific region proving that the culture&lt;br&gt; did in fact exist! Even though it is difficult to prove to the general public and although it takes&lt;br&gt; a long time for knowledge to assimilate down to even a part of society... The legend reads as the&lt;br&gt; story of the sinking of the continent in a vortex of fire &amp;amp; water. &lt;br&gt; &lt;br&gt;The people of Lemuria were aware that the continent was gradually sinking, and had established&lt;br&gt; many colonies, according to records on stone tablets found in Rishi temples in India &amp;amp; in Mexico &lt;br&gt; in the 1920&amp;#39;s by William Niven.&lt;br&gt; &lt;br&gt;A devastating cataclysm from major earth changes was said to have occured suddenly &amp;amp; over 60 &lt;br&gt; million perished in a single night; a night following the great Festival on the last perfect day of &lt;br&gt; mid summer... &amp;quot;the day the mountains were raised.&amp;quot; The twelve tribes had sailed towards both &lt;br&gt; the rising sun &amp;amp; the setting sun; This is because they believed that the sun was the most powerful &lt;br&gt; symbol of the Creator. They had long since colonised most of the earth... some tribes sailing east &amp;amp; &lt;br&gt; others sailing to the west. The very word &amp;quot;maya&amp;quot; means colonist or imigrant. The Quiche Mayas &lt;br&gt; colonised Europe while the Naga-Mayas went to China &amp;amp; Aisia. Those who went to what became &lt;br&gt; the Americas were Cara Mayas. All of our civilizations today are the offspring of those remnants of &lt;br&gt; the original ancestors from Mu... The original Cara Maya vocables became what we know of today &lt;br&gt; as the early Greek alphabet. When you read the &amp;quot;meaning of the original Greek letters&amp;quot; from alpha &lt;br&gt; to omega it tells the story of the lost continent and how it sank in a vortex &amp;amp; peaks only still remain. &lt;br&gt; The reason is that the original Greek alphabet is a memorial to their fore-fathers who lost their lives &lt;br&gt; during the sinking of the Motherland - the last perfect day of mid summer, the day the mountains &lt;br&gt; were raised.&lt;br&gt; &lt;br&gt; Loren D. Adams, Jr. Sir&lt;br&gt; &lt;br&gt; C@1994-95 ~ Original oil painting on fine linen canvas 48&amp;quot;x 86&amp;quot; by Loren D. Adams, Jr.&lt;br&gt; &lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;/b&gt;&lt;font size=&quot;4&quot;&gt;&lt;font face=&quot;Garamond&quot;&gt;&lt;font size=&quot;5&quot;&gt;&amp;quot;The Lost Continent of Mu... an open entrance to the shut palace of the King &amp;amp; Queen&amp;quot;&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;b&gt;&lt;font size=&quot;4&quot;&gt;&lt;font face=&quot;Garamond&quot;&gt; &lt;/font&gt;&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>&quot;Nuclear Mysticism&quot; ~ Accelerated Evolution lll Series</title><link>http://fine-art.wetpaint.com/page/%22Nuclear+Mysticism%22+%7E+Accelerated+Evolution+lll+Series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/%22Nuclear+Mysticism%22+%7E+Accelerated+Evolution+lll+Series</guid><pubDate>Sun, 31 Dec 2006 07:14:01 CST</pubDate><description>&lt;object height=&quot;479&quot; width=&quot;639&quot;&gt; &lt;/object&gt;&lt;br&gt; &lt;br&gt; &lt;font size=&quot;6&quot;&gt;&lt;b&gt;&lt;font face=&quot;Garamond&quot;&gt;&lt;font face=&quot;Helvetica&quot;&gt; YHWH&lt;/font&gt; &lt;/font&gt;&lt;/b&gt;&lt;font face=&quot;Garamond&quot;&gt;&amp;quot;&lt;u&gt;The Merkabah Vehicle Tetragramatron&lt;/u&gt;&amp;quot;&lt;br&gt; &lt;br&gt; &lt;font face=&quot;Helvetica&quot;&gt;&lt;font size=&quot;5&quot;&gt;NINE NINE NINE ~ &lt;font face=&quot;Garamond&quot;&gt;The Nine Time Cells... Nine dispensations of Time:&lt;br&gt;  &amp;quot;The Beyond is also Here &amp;amp; Now!&amp;quot;&lt;br&gt; &lt;br&gt; Nuclear Mysticism&lt;font size=&quot;4&quot;&gt; is the study of how things are made. The Art Science of visually representing the mental&lt;br&gt; and spiritual understanding of the Four Cosmic Forces and the relative sub divisions of principalities &amp;amp; powers of&lt;br&gt; Creation. Presuming that we already know who God is we step out on the promises for the sake of learning about&lt;br&gt; &amp;quot;what is God, what are the attributes of our aliveness &amp;amp; what is forever? From the scriptures we gain a knowledge&lt;br&gt; of the all knowing Omnecience, Omnipotence &amp;amp; Omnipresence of our Heavenly Father God, creator of everything&lt;br&gt; that was, is and ever shall be... The Alpha &amp;amp; the Omega, the first &amp;amp; the last, Amen &amp;quot;The Ancient of Days&amp;quot; YHWH&lt;br&gt; When he created man in his own image he breathed into his nostrals the &amp;quot;breath of life&amp;quot; What is the breath of life?&lt;br&gt; The answers to these quetions are also to be found in the scriptures, if one finds it important enough to find them.&lt;br&gt; &lt;br&gt; The Ancient of Days YHWH is found in the Old Testament &amp;amp; is known as The Merkabah Vehicle Tetragramatron.&lt;br&gt; Throughout the ages the Merkabah has been illustrated as a brilliant briolette having Nine divisions which represent&lt;br&gt; the Nine dispensations of Time also known as the Nine Time Cells. What are the Nine Time Cells? Why are there&lt;br&gt; Nine? According to the ancients the breath of life lived in these nine time cells! In modern medicine the Kadusa is&lt;br&gt; illustrated as living within a vertical column of seven sections of nine blocks. It is now widely known that the RNA&lt;br&gt; DNA models are represented with an infinte number of these Nine cubed cells and the essence of life itself is said&lt;br&gt; to live within the spiraling double helix in the center of the column. When a single blood cell is examined under an&lt;br&gt; electron microscope at 750,000 magnification it clearly shows Nine divisions... but what is more it is alive!&lt;br&gt; &lt;br&gt; The Keys to the living biophysical and astrophysical universe are the living &amp;quot;Light Pyramids of Life&amp;quot; existing within&lt;br&gt; every structure within field of &amp;quot;All of Creation!&amp;quot; Homage to Dr. J.J. Hurtak, the founder of the Academy for Future&lt;br&gt; Science. When Gold is examined under the same microscope at 750,000 magnification the same vivid view of these&lt;br&gt; living light pyramids of life are clearly visable because of the nature of the purity of this element. It is present in all&lt;br&gt; of creation so it can be observed in everything that exists, although it is most visable in a blood cell and Pure Gold.&lt;br&gt; The Nine Time Cells represent the 9 dispensations of time with the &amp;quot;Present Present&amp;quot; always in the center represent-&lt;br&gt; ing the Here &amp;amp; Now. In reality Here and Now is all that exists because the past is a former here &amp;amp; now... the future&lt;br&gt; is going to be here &amp;amp; now. It is therefore quite clear that the beyond is also Here &amp;amp; Now! Wonderful place Heaven&lt;br&gt; isn&amp;#39;t it?&lt;br&gt; &lt;br&gt; Loren D. Adams, Jr. Sir&lt;br&gt; &lt;br&gt;  &lt;br&gt; &lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>The Natural World... &quot;The Worlds of Nature &amp; Conservation&quot; series</title><link>http://fine-art.wetpaint.com/page/The+Natural+World...+%22The+Worlds+of+Nature+%26+Conservation%22+series</link><author>Painter:123</author><guid isPermaLink="false">http://fine-art.wetpaint.com/page/The+Natural+World...+%22The+Worlds+of+Nature+%26+Conservation%22+series</guid><pubDate>Fri, 29 Dec 2006 06:09:47 CST</pubDate><description>&lt;object align=&quot;bottom&quot; height=&quot;528&quot; width=&quot;702&quot;&gt; &lt;/object&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item></channel></rss>